Ich habe mir hier mal ein Fallbeispiel herausgesucht, was vor Kurzem großartig funktioniert hat.
Am FOH war eine Vi6, am Monitor eine PM5D RH
Aktive Klark Splitter ( da auch noch Recording von einer Radiostation betrieben wurde , auf Einzelkanälen )
Im Vorfeld die Kommunikation per email ( ist unten reingestellt, muß halt von unten nach oben gelesen werden. ) und die Grundfiles sowie die Output Belegungen zugesandt.
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Jelle wrote:
Thanks,
on an RH it is indeed possible to patch any XLR to any input. patching mono ins on stereo channels is no prob.
We don't need to supply phantom power, right? Because you are using an active split.
Jelle XXXXXXX - Monitor engineer John Cale
On 28-apr-2011, at 14:48, Klaus wrote:
( my answers in Red )
Am 28.04.2011 um 14:28 schrieb Jelle Coremans:
Hey Klaus, Michi,
thanks for the pm5d and Vi6 files.
I will prepare a new file and softpatch everything I want to have changed. that's the easiest.
Jan (FOH) is doing the same
Is that 13 wedges (11 sends) on stage + PFL wedge ?
Yes, exactly like this plus 1 Drumfill and 2 sidefills
Is that TB from FOH and TB from monitors on 47-48?
Yes , and Ambience Mics on Stereo 1 in, Return from FOH on Stereo 3 in ( for intro or whatever )
Since we will lose 3 channels, it will be easier if we make a new patch so our grand total is 45 channels.
Everything always changes last minute...
No Problem, we are here to support you , we can also move the Taklbacks to a Stereo input ( it a RH, it might work this way, i have to test it today )
I will do this in the next hours and send it over immediately. We try to bring some paper copies tomorrow.
We also brought some mics, I will put the correct ones on the new patch.
mail you later
Jelle xxxxxx - Monitor engineer John Cale
Von: Klaus
Betreff: Fwd: Cale
hello
atached the file from the PM5D + Vi6 and a stageplan with the basic monitor setup.
I always try to keep a setup as simple as possible for band monitor engineers.
PCMCIA cards are here to load the files in.
Monitor World is stage left.
I have a maximum of 13 wedges on 11 outputs.
17-20 is prepared for In Ears.
Principally it is possible to change the mixes in any order you want.
Either as an output hard or softpatch.
Mix 7-10 come from the back ( upstage )
If you have any questions about the monitoring, dont hesitate to contact me.
Klaus Hübner
Der Kollege mußte nur mehr kommen, File auf die PCMCIA Karte und ab gehts.
Das selbe am FOH, allerdings mit USB Stick.
Dort hatten sie auch die Infos, welche Kanäle sie für Pausenmusik und Moderation sowie Return für Intros vorbereiten sollten und gut war das.
Das war ein Festival, wo eben keine Fremden Pultplätze kamen und nur die Pulte für alles da waren.